Urmila Matondkar born on February 4, 1974 in Mumbai is an Indian Bollywood actress and is a typical Marathi girl.
Urmila Matondkar had acted in experimental roles for the last 15 years. But the viewers remember her more in scary characters created by Ram Gopal Verma. She acted as a child artist in Masoom, in 1983. She showed her innocence in the character as she was the daughter of Shabana Azmi who liked to play with her step-brother played by Jugal Hansraj. She gave good lips in the song “lakri ke kathi” composed by R.D.Burman.
She stormed bollywood films with her performance in Ram Gopal Verma’s Daud, opposite Sanjay Dutt. It was serio-comic film which was based on a stolen property. Both Sanjay and Urmila travelled in different places and were chased by thiefs for the stolen property. The story was straight forward, but the performance of Urmila was well appreciated by the audience. She proved her identity also in the film Rangeela with Jackie Shroff which was her debut film and which also
established her as a sex bomb.
She previously acted in romantic role in the film Narsimha, where the main role was played by Sunny Deol and Om Puri. She never drew attention despite good work in the film.
Urmila had also acted as a girl in a Ram Gopal Verma film titled Bhoot, who did exceptional activities due to involvement with a dead soul. She was treated in the film and it was realised that the ghost wanted to let the people know about the way it was killed in the previous life.
Urmila also acted in Judaai, opposite Anil Kapoor and Sri Devi. Urmila had also performed in item numbers including the song in the film China Gate. Urmila’s performance was appreciated in addition to serious performances from Om Puri, Naseer, Amrish Puri, Paresh Rawal, etc.
In 1998, she earned critical acclaim for her performance in Satya, for which she received another Filmfare nomination. Satya was a critical and commercial success.
Her notable films especially the arty ones are Tehzeeb (2003), Pinjar (2003), Maine Gandhi Ko Nahin Mara (2005) and Bas Ek Pal (2006).
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